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preservation and persistence of the changing book

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“How does this fit into bike shop news? Most directly, I (Cody) recently began the certificate program at the Center and spend my days madly dashing between bikes and books. Less directly, there is a deep rooted connection between the authentic experiences of riding a bike and reading a book, between the technologies of self-propulsion and analog information dissemination.” 30th Century Bicycle

lament

The ebook revolution was not consumer driven, it was industry driven. There was no inherent market for screen books. Among industry calculations was an intention to provide a shopping device. The book reading simulation is something of a decoy.

Only now are consumer laments emerging. Black electrophoric e-ink and button navigation did provide a reasonable simulation of book reading. Industry agendas are now moving away from book dedication toward multifunction entertainment. The color phosphor screen and touch screen navigation is the path of least resistance of a large installed base. Color e-ink development has faded.

The lament is among dedicated book readers over the eclipse of the dedicated black device. The ebook revolution continues to be industry, not consumer driven. Consumers read on their phones.

real future

Digital technologies have advanced the paper book as much as the networked screen book. Advances in the physical book include new book papers, inks, adhesives and covering materials made possible with digital automation of manufacturing. As significant, competition presented by screen books has prompted identification and accentuation of exclusive paper book attributes. Some of these attributes are constraints difficult for screen book advocate appreciation. For example each paper book conveys only a single title. This obvious limitation has, never the less, enabled organization, reorganization and visualization of libraries, engendered an economic base for publishing, and validated academic and literary achievement.

Another seeming limitation of the physical book is its fuse together of the storage and display functions. This integration, so disordered with the screen book, has long proven a sustainable and cheap assurance for cultural transmission. Screen books decouple storage and display breeding multiple, uncertain and recurring costs.

Another positive outcome of competition of the screen book has been focus on the future of the paper book. The paper book has not rolled over and played dead. There has been functional clarification of its roles. While displaced from some reference genres, the paper book has accentuated its role in academic monograph as print on demand has extended its reach. Illustrated books for sciences and arts have advanced as they benefit from digital pre-press design and editing. Partextual features refined for paper magazines, newspapers, journals and books have proven variously difficult or impractical to migrate to the screen. These amenities of reader expectations have prompted major reinventions for the screen including, for example, touch-screen navigations. But at the same time print has an advantage of a highly refined “installed base” of book paratext including such almost invisible fundamentals as pagination, recto/verso duplex, and efficient two page spreads.

Digital technologies have advanced the paper book as much as the networked screen book.

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