dust from a distant sun
This very appealing
blog on the allure of book studies has kindly mentioned FotB.
***“Future of Books”
Umberto Eco’s lecture at the opening of the
Alexandrina suggests that cultural determinations of technological change, not technological determinations of cultural change, are at work defining the future of the book.
Print-on-demand seems to outpace read-on-demand. Screen based reading still lacks haptic efficiencies and other reasurances, so the electronic network of library access is looking like an accessory of print,,,,not the other way around. The book is er, unfungible.
See also the discussion at
SlashDot. (from Chela)
last JAB
The 20th and last issue of the Journal of Artists’ Books includes a number of excellent contributions that offer perspective on artists’ work in book format.
Johanna Drucker has written an excellent summation of the need to invent authentic book art with a wide artistic, conceptual and narrative content. She also hopes to invigorate the infrastructure to support such creativity.
“In my travels I find many students interested in an MFA that would be seriously and substantively cross-disciplinary, allowing book arts and poetics, visual arts, and bibliographical or textual studies to combine. Where is such a program? Yet to be invented.”
Scrapbook Design University
A newly
accredited program provides ten courses leading to a Certificate. This is a structured attempt to move beyond stencils, stamps and caption calligraphy. (Don’t smile) this is a tough discipline with a scope and number of participants beyond comparison with book studies. In fact book studies is a small, small subset of scrapbooking.
The Howard Dean campaign (don’t smile) is using
on-line scrapbooking to promote community organizations. Scrapbookers will save our democracy, restore our repect around the world and lead us to a well distributed economic revival. Caucus for
Dean!
3rd edition of Writing Space
By publishing a second edition which completely rewrites the first, Jay David Bolter has produced a third edition which is the readers’ understanding of the comparision of the 1st and 2nd editions. This is an authentic print hypertext event.
Remember that between 1991 and 2001 the Web just popped up out of nowhere disrupting the future of hypertext. It was not planned for and Writing Space was rewritten with the same title to reintroduce electronic writing and reading into the new context while print stood still.
The interesting part is that print did stand still and remains standing in a referencial relation with the swirling features of electonic text presentation and on-line reading behaviors. Print, as a reading mode, hasn’t changed since 1991 or since late Antiquity.
It will take some time to complete the concordance but FotB plans to review the 3rd edition. Will electronic writing refashion the genres or print or will the genres of print refashion electronic writing and reveal the authentic haptics and habitats of reading? Will Bolter succeed in altering the perceptions of the writing space of the mind?